I Choose Life

handmade greeting card, collage artComing down from a stretch of mania—that feeling of a greasy rope flying through my hands.  Later I’ll feel the burn, the skin of my palms flayed.  Now it’s just the rope.  Too fast.  No grip.  And the foreknowledge of when the frayed end finally comes—and goes—I’m done.  Then, it’s the limp fall.  Out of control.

I couldn’t go to the hospital today, or yesterday.  I spent all day Friday there, finally realizing I couldn’t help my mom.  She won’t or can’t choose life, says no to food, to therapy, to any action that will move her toward living.  A stubborn non-choosing. I counted off all the ways I’d done what was expected—held vigil for three weeks, cajoled and pleaded, coordinated with my sister, planned to provide care if and when she goes home—trying to be something I’m not, trying one more time to be good enough and worthy.  I was ready with my bag of distractions today, ready to camp out once again after working out at the Y and after meditation group.  But as I fast-walked around the Y track, sliding from mania to depression with the rope smoking my hands, I chose life.

Today, I sucked in the cool air.  I lifted my eyes to the white, cumulus clouds rowing a jewel-blue sky.  I saw a movie, sat journaling at the Hy-Vee cafe with soothing chai tea and kept choosing life.  I’m not done with Mom.  I’ll never be done with Mom.  But I won’t sacrifice myself for her anymore.  No more.

These past few nights, waking up at 2AM, I tried something new.  I laid a quilt under my bedroom window, piled pillows—a poor girl’s zafu—and sat meditation.  I tried to find a different rhythm, tried to let it speak to me instead of chasing or forcing it.  And when the discomfort got too big, when it gripped the place under my left breast, when my brain sighed in sorrow and begged for mercy, then I rested in the Fantasy Man.

He stands in the near distance, his back to me, looking ahead.  Jeans, dark blue dress shirt, dark hair.  Relaxed, but alert.  Hands in his pockets.  Long grass waves against his legs in a silent breeze.  The sky is overcast.  I walk toward him, and that’s enough—to know I will reach him, to see the comfort coming.

Friday night, I dreamed Hugh Jackman was wildly in love with me.  He was ready to leave his wife for me.  And it broke my heart, because what I admire most about him is his devotion to her and his children.  “You can’t do that,” I told him.  “That’s not who you are.”

Broken-hearted.  The core of my bipolar-ness.  I feel the shards rubbing against each other under my breast and fantasize about a heart that is worthy and more than enough.  As my mood shifts this time, I do more than manage, I choose.  On the bed this afternoon with Henry and Emmet close, a breeze slid through the open window.  It slid over my skin like smoke.  It slid me into a place of hearts whole and beating life.

Chocolate Covered Cherries

chocolate-covered-cherriesSo, here I am, practicing living and accepting my life As Is, and what happens?  I’m dipped, like a juicy cherry, in chocolate fantasy.

It’s a pattern.  I see a movie (hero) that touches some core hunger, and my imagination gallops off with me hanging on by my teeth.  It happened with Christopher Reeve in Superman.  It happened with Indiana Jones.  It happened with Christian Bale in The Dark Knight.  Now I’ve been kidnapped by Thorin from The Hobbit (and his portrayer, Richard Armitage, by association).  Scenarios, stories, images spring fully formed from my fevered brow like Athena from Zeus’ forehead.  I scribble them all down to try to get them out of my head, but there’s no draining this well.  More Stories take their place.  Details, dialog, complicated plots.  I’ve been invaded.

Thorin Oakenshield, Richard Armitage, The HobbitThis manic brainstorm is lush and intoxicating, sexy and completely distracting.  I can live there instead of the Real World, which is painful and plodding. The desire to stay there is incredibly strong, but I’m supposed to be facing my reality, right?

I do the best I can, which isn’t much.  When the Stories in my head take a little break, I place myself in space and time (I’m in my truck, my hands on the steering wheel, Annie Lennox is singing about broken glass…).  I take a few deep breaths and feel my body.  Here I am.  Then the Story picks up again and I’m onto the next scene.

I’ve decided it might be better to just ride this pleasure cruise until the mania shifts.  And it will.  I’ll do my best to reorient and ground in the Real, but I don’t think I can stop my brain from doing this.  I’m not sure I want to.  I like chocolate covered cherries too much.

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